![\"500x_d3ssss\"](\"http:\/\/www.maximejohnson.com\/wp-content\/uploads\/2009\/10\/500x_d3ssss.jpg\" "\\"500x_d3ssss\\"")
\nNikon a annonc\u00e9 hier son nouvel appareil photo reflex professionnel D3s, une \u00e9volution du puissant D3 qui offrira notamment la prise de vid\u00e9o et, surtout, la possibilit\u00e9 de prendre des photos avec un ISO allant jusqu\u2019\u00e0 102 400!<\/p>\n
Selon Nikon, l\u2019ISO r\u00e9gulier de l\u2019appareil se situe toutefois plut\u00f4t entre 200 et un tr\u00e8s respectable 12 800, ce qui veut dire que les photos obtenues avec le 102 400 auront probablement une esth\u00e9tique plus particuli\u00e8re. Quoi qu\u2019il en soit, le D3s semble fort bien \u00e9quip\u00e9 pour la prise de photos avec un \u00e9clairage r\u00e9duit.<\/p>\n
Parmi les autres caract\u00e9ristiques de l\u2019appareil photo num\u00e9rique D3s, notons la possibilit\u00e9 d\u2019y ajouter un microphone st\u00e9r\u00e9o (le D3s poss\u00e8de \u00e9videmment un microphone mono int\u00e9gr\u00e9), le contr\u00f4le total de l\u2019ouverture lors la prise de vid\u00e9o, deux fentes pour cartes CompactFlash et un mode silencieux (Quiet Shutter Mode), qui permet comme avec la D300s de r\u00e9duire le bruit de l\u2019appareil lors de la prise de photos. Le D3s poss\u00e8de aussi un syst\u00e8me anti-poussi\u00e8res et permet de prendre des photos avec une cadence de 9 images par seconde en format FX ou 11 images par seconde en format DX.<\/p>\n
Un oubli de taille<\/strong> Peut-\u00eatre suffisant maintenant, mais dans une perspective \u00e0 long terme, il est \u00e9vident que ces derniers voudront \u00e9ventuellement passer \u00e0 la r\u00e9solution sup\u00e9rieure. Et un appareil professionnel comme la D3s (dont le prix sera quand m\u00eame de plus de 5000$) devrait normalement durer plus longtemps que deux ou trois ann\u00e9es. Dommage.<\/p>\n Disponibilit\u00e9 de l\u2019appareil photo Nikon D3s au Canada<\/strong> Disponibilit\u00e9 de l\u2019appareil photo Nikon D3s en France<\/strong> Voici ce que Nikon a \u00e0 dire sur le D3s<\/strong><\/p>\n Nikon Continues Imaging Evolution with D3s, Instituting New Levels of Mississauga, ON, October 14, 2009 \u2013 Nikon Canada today introduced the The Nikon D3s builds upon the success of the Nikon D3 — the camera \u201cThe Nikon D3 ushered in a new era of professional digital imaging, Creative Vision Beyond the Human Eye This industry-first, groundbreaking ISO sensitivity range will make the Big Pixels Equal Greater ISO Capabilities D3s adds the extra benefit of an Image Sensor Cleaning function to Share the Vision with D-Movie Creativity Additionally, the D3s features a built-in monoaural microphone, Photographers and filmmakers alike will appreciate the full aperture Performance and Features Defining Versatility The D3s also features two UDMA compatible CompactFlash\u2122 card slots that Additionally, the D3s features Nikon\u2019s exclusive Multi-CAM 3500FX To alleviate another kind of noise, the D3s also features a Quiet Technologies Engineered for Professionals The D3s\u2019 accelerated Scene Recognition System analyzes information Nikon’s exclusive 3D Colour Matrix Metering II assists in ensuring To further enhance each photographer’s ability to express their Ready for Work A bright and accurate viewfinder provides 100 per cent coverage with System Strength Withstands the Test of Time Nikon a annonc\u00e9 hier son nouvel appareil photo reflex professionnel D3s, une \u00e9volution du puissant D3 qui offrira notamment la prise de vid\u00e9o et, surtout, la possibilit\u00e9 de prendre des photos avec un ISO allant jusqu\u2019\u00e0 102 400!<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false},"categories":[120],"tags":[157,196,197],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p37EYA-7k","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/maximejohnson.com\/techno\/wp-json\/wp\/v2\/posts\/454"}],"collection":[{"href":"https:\/\/maximejohnson.com\/techno\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/maximejohnson.com\/techno\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/maximejohnson.com\/techno\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/maximejohnson.com\/techno\/wp-json\/wp\/v2\/comments?post=454"}],"version-history":[{"count":4,"href":"https:\/\/maximejohnson.com\/techno\/wp-json\/wp\/v2\/posts\/454\/revisions"}],"predecessor-version":[{"id":466,"href":"https:\/\/maximejohnson.com\/techno\/wp-json\/wp\/v2\/posts\/454\/revisions\/466"}],"wp:attachment":[{"href":"https:\/\/maximejohnson.com\/techno\/wp-json\/wp\/v2\/media?parent=454"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/maximejohnson.com\/techno\/wp-json\/wp\/v2\/categories?post=454"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/maximejohnson.com\/techno\/wp-json\/wp\/v2\/tags?post=454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nMalheureusement, une caract\u00e9ristique des plus importantes manque \u00e0 l\u2019appel chez le nouveau D3s, c’est-\u00e0-dire la possibilit\u00e9 de tourner des vid\u00e9os en Full HD (1080p). La cam\u00e9ra ne permet pour le moment que de filmer en 720p, ce qui serait suffisant pour les photojournalistes selon Nikon. <\/p>\n
\nLe Nikon D3s (bo\u00eetier seulement) devrait \u00eatre disponible chez les d\u00e9taillants Nikon vers la fin novembre. Le prix officiel sera d\u00e9voil\u00e9 plus tard. <\/p>\n
\nLes cousins fran\u00e7ais pourront pour leur part mettre la main sur l’appareil d\u00e8s le 27 novembre prochain pour un prix annonc\u00e9 de 5299 euros. <\/p>\n
\nPower and Performance for Professional Photographers
\nRedefining digital SLR photography possibilities with extreme ISO
\nsensitivity for stills and video and overall enhanced performance<\/p>\n
\nFX-format D3s digital SLR, providing professional photographers with a
\npowerful tool that redefines the boundaries of digital SLR versatility,
\nwhile maintaining the strength of superior image quality and high speed
\nperformance inherited from its groundbreaking D3. The D3s enables new
\nopportunities in low-light photography, providing photographers with an
\nadded shutter speed and aperture choice with a base ISO sensitivity
\nrange from ISO 200 to a remarkable 12,800; and features an incredible Hi
\n3 setting of 102,400, enabling photographers to create images previously
\nthought impossible.<\/p>\n
\nthat set new standards for professional digital SLR performance — and
\nutilizes a newly designed, Nikon original 12.1-megapixel FX-format CMOS
\nsensor that also integrates its amazing low-light ability to High
\nDefinition (HD) video, creating a uniquely capable multi-media tool to
\nmeet the needs of the ever-changing imaging industry.<\/p>\n
\nfollowed by the D3x. Today, the D3s further reinforces Nikon\u2019s
\nleadership role in the photographic industry as a pioneer in
\nperformance-driven digital SLRs,\u201d said Gregory Flasch, Nikon
\nCanada\u2019s Manager of National Advertising and Communications.<\/p>\n
\nThe Nikon D3s, with a base ISO sensitivity from ISO 200 to 12,800,
\nmakes it possible to capture images previously not possible in low-light
\nlevels. In even more demanding lighting conditions, photographers may
\nselect expanded ISO settings of 25,600 (Hi 1), 51,200 (Hi 2) and an
\nincredible ISO sensitivity of 102,400 (Hi 3), revealing detail in
\nextreme low-light conditions that challenge even the human eye\u2019s
\nability to discern subject content. Additionally, a setting of ISO 100
\n(Lo 1) is available.<\/p>\n
\nD3s the camera of choice for photographers who typically face extreme
\nlighting challenges, such as indoor or nighttime sports, spot news,
\nwedding receptions and challenging nature photography. This broad ISO
\nsensitivity also affords the ability to shoot at faster, action-stopping
\nshutter speeds. D3s shooters will enjoy a major advantage in any
\nsituation where light is limited and the use of supplemental lighting is
\nnot an option. For photojournalists, the highest ISO setting delivers
\nimage quality that meets the needs of offset printing.<\/p>\n
\nThe amazing low-light ability of the D3s, as well as its astounding
\nimage quality can be attributed in large part to the engineering behind
\nthe newly designed, Nikon original 12.1-megapixel FX-format CMOS sensor,
\nwhich measures 36×23.9mm. While the pixel size and count that served the
\nD3 were maintained to deliver the pinnacle of image quality, dynamic
\nrange, tonal gradation and outstanding colour, other aspects were
\nengineered to add versatility through broader ISO sensitivity.
\nIndividual pixels measure a large 8.45 microns, which support enhanced
\nsensitivity to light and other qualities leading to superior image
\nfidelity. The D3s captures light and renders images with a higher
\nsignal-to-noise ratio and an unmatched dynamic range for both stills and
\nHD video throughout its broadened ISO range.<\/p>\n
\nreduce instances of image degradation resulting from dust accumulation
\non the optical low pass filter (OLPF) in front of the image sensor. The
\nOLPF oscillates at four specific frequencies to release particles that
\nwould disrupt image quality. Sensor Cleaning can be set by the user to
\ncycle automatically when the camera is powered on, turned off or on
\ndemand.<\/p>\n
\nThe remarkable ISO range of the D3s can also be applied while recording
\nHD video clips to give unprecedented low-light ability for movie clips.
\nThe newly refined D-Movie mode for FX-format offers smooth 1280 x 720
\nvideo at a cinematic 24fps, with a new algorithm that severely reduces
\nthe phenomenon of \u201crolling shutter\u201d typical to digital SLRs while
\npanning. The motion JPEG codec makes it easy to extract single frames
\nfrom a video clip and save it as a JPEG file, while the 720p HD format
\neases storage, provides faster wireless transfers and offers video files
\nthat are generally easier to use in the field. Photographers can also
\ntrim movie clips on the fly by revising the start and end points, and
\nsave the edited clip as a copy while maintaining the original.<\/p>\n
\naugmented by a stereo microphone input, which is perfect for hot-shoe
\nmicrophone-mounting and the use of wireless microphones for interviews
\nor spot news.<\/p>\n
\ncontrol from a wide f-stop to the smallest, as the FX-format sensor
\nrenders low-noise movie clips with outstanding clarity, aided by the
\nlarge selection of renowned NIKKOR lenses to produce a dramatic depth of
\nfield. High Sensitivity Movie Mode allows the utilization of the entire
\nISO range to capture otherwise hidden details in challenging lighting
\nconditions, more effectively than cameras with smaller sensors. Now,
\nusers can benefit from available natural light for applications such as
\ntelling a story in a journalistic style in the field or to create a
\ngritty film noir masterpiece without computer-generated imagery (CGI)
\npost production. While recording, users also have the ability to control
\nexposure, and will enjoy the added benefits of improved contrast-detect
\ntype AF while in Tripod Live View mode.<\/p>\n
\nThe emergence of the D3 in 2007 provided photographers with a unique
\nfusion of ruggedness, speed, versatility and image quality \u2014
\ncharacteristics which the D3s now takes even further. Photographers are
\nable to capture images at 9 frames per second (fps) in the FX-format or
\nat up to 11 fps in the DX crop mode, while data is transferred through a
\n16-bit pipeline for optimal processing speed. Additionally, the buffer
\nhas been increased, enabling continuous bursts approximately twice that
\nof the D3 in the JPEG, TIFF or NEF (RAW) formats. Files can also be
\ncaptured in either 12- or 14-bit compressed or uncompressed formats to
\nmaintain the images data integrity. Photographers can also select the
\nnew 1.2x crop mode for a modest telephoto effect, while minimally
\nimpacting resolution, as photos are captured at approximately 8.4
\nmegapixels (9 fps).<\/p>\n
\ncan be used for consecutive recording (overflow), simultaneous recording
\n(backup), separating recording of RAW and JPEG files or even copying
\npictures between the two cards. One or both can also be designated for
\ndata-heavy D-Movie recording. Images can be displayed directly from the
\ncamera to a high-definition monitor using the camera’s High-Definition
\nMulti-Media Interface (HDMI) port and an optional cable.<\/p>\n
\nfocus module, with 51 AF points, 15 cross type sensors and 36 horizontal
\nsensors that easily track and lock onto moving subjects, delivering the
\nsame fast and accurate AF performance that helped make the D3
\nimmediately successful. Users can select any of the AF points, making it
\neasy to consistently attain accurate focus frame after frame.
\nAdditionally, three AF-area modes \u2013 Single point, Dynamic-area AF and
\nAuto-area AF \u2013 are available to maximize the use of the 51 focus
\npoints by selecting the most suitable one to match subject conditions.
\nAF is also available in one of two Live View modes optimized for the
\nstudio, including a phase detection handheld mode and a tripod mode.
\nWhile in Live View, the graphic indication of a virtual horizon is also
\navailable, making it easier than ever to confirm camera orientation.<\/p>\n
\nShutter Mode which substantially reduces the sound of the camera\u2019s
\nmirror-down cycle, which is perfect for shooting in sensitive
\nenvironments such as movie sets, meetings, ceremonies, or while
\nphotographing wildlife.<\/p>\n
\nThe D3s\u2019 speed and performance is the culmination of many Nikon core
\ntechnologies, including the latest generation of the EXPEED\u2122 advanced
\ndigital image processing system technologies. The latest iteration of
\nthis system is specially designed to keep pace with the D3s\u2019 blazing
\nperformance to provide superior image quality, faster processing speeds
\nand lower power consumption. This advanced system is able to achieve
\nextremely precise colour reproduction for a broad spectrum of hues, in
\naddition to vivid saturation and smooth gradation. Nikon\u2019s advanced
\nnoise processing function is engineered to minimize noise at all
\nsensitivities and operate seamlessly without interfering with other
\nimage colour parameters.<\/p>\n
\nfrom the 1,005-pixel RGB light sensor for use in auto exposure, auto
\nwhite balance detection and autofocus calculations. The Scene
\nRecognition System also assists autofocus by tracking subject position
\nand automatically shifts the AF points used to match the subject\u2019s
\nmovement within the frame.<\/p>\n
\naccurate exposures, even in the most challenging lighting conditions.
\nInstantly evaluating each scene before capture, input data from the
\nsystem’s sensor is automatically referenced against an internal database
\nof more than 30,000 images derived from actual photographs to calculate
\ncorrect exposure values. Active D-Lighting (ADL), used in combination
\nwith 3D Matrix Metering II, helps to determine proper exposure, and
\ncreates realistic contrast while compensating for lost shadows and
\nhighlights. Photographers can also use ADL bracketing for up to five
\nframes of ADL compensation.<\/p>\n
\npersonal style, Nikon\u2019s Picture Control System allows selection of
\nPicture Control settings including Standard, Neutral, Vivid and
\nMonochrome. Additionally, adjustment can be made to Picture Controls to
\nimage sharpening, contrast, brightness, saturation, hue and more.
\nPhotographers then have the flexibility to save up to nine personalized
\nPicture Controls on camera and 99 additional Picture Controls
\nexternally.<\/p>\n
\nEngineered for real-world functionality, the D3s is ruggedly
\nconstructed with moisture, dust and shock resistance that has become a
\nhallmark of flagship Nikon digital SLRs, while preserving the usability
\nand ergonomics that allow the camera to remain an extension of the
\nphotographer\u2019s vision. Attention to detail goes so far as to include a
\nself-diagnostic shutter system that is tested to 300,000 cycles for
\nmaximum accuracy and longevity. Rigid and precise magnesium alloy
\nconstruction and the familiar form factor of the D3 extend consistent
\nNikon system synergy.<\/p>\n
\n0.7x magnification. The body also houses Nikon\u2019s acclaimed 920,000
\ndot, 3.0-inch super density LCD monitor which is viewable up to 170
\ndegrees, and is safeguarded by a tempered glass cover. Thanks to
\nincredibly efficient internal circuitry, the D3s can capture up to 4200*
\nshots per single charge of the camera\u2019s Lithium-ion battery.<\/p>\n
\nThe D3s is fully compatible with Nikon\u2019s Creative Lighting System
\n(CLS) affording photographers a mobile lighting solution that is easy to
\nmanage. The D3s is also compatible with Nikon\u2019s GP-1 GPS receiver to
\ngather information such as latitude, longitude, altitude and (satellite)
\ndate of shooting. Photographers can shoot tethered via USB, or use the
\nWT-4A wireless transmitter to send images wirelessly when speed and
\nmobility are essential. D3s users will also enjoy the system strength of
\na comprehensive selection of NIKKOR interchangeable lenses \u2014 long
\nheralded for their optical superiority.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"